So what miles davis sextet

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Kind of Blue is a studio album by American jazz trumpeter Miles Davis. It was recorded on March 2 and April 22, , at Columbia's 30th Street Studio in New York City, and released on August 17 of that year by Columbia Records. The album features Davis's ensemble sextet consisting of saxophonists John Pianist Evans, who had studied with Russell but had departed from the Davis. View credits, reviews, tracks and shop for the Vinyl release of Sextet & Quintet on Discogs. A1, –Miles Davis Sextet*, So What. A2, –Miles Davis Sextet​*. "So What" is the first track on the album Kind of Blue by American trumpeter Miles Davis. It is one of the best known examples of modal jazz, set in the.

Miles Davis Quintet to stream in hi-fi, or to download in True CD Quality on Miles Davis Sextet The Legendary Quintet Sessions Vol 1 Miles Davis Quintet. So What is one of the best examples of modal jazz music. It appears The piece is made up of a jazz sextet, with Miles Davis on trumpet, John Coltrane on tenor. "So What" is the first track on the album Kind of Blue by American trumpeter Miles Davis. It is one of the best known examples of modal jazz, set in the.

Bill Evans – Paul Chambers- Miles Davis – John Coltrane – Cannonball Adderley . So What. Miles Davis Sextet (Miles Davis-tp, Cannonball. Miles Davis (tp); Cannonball Adderley (as); John Coltrane (ts); Bill .. The sextet had played "So What" and "All Blues" at performances, but the. Miles Davis, trumpet; John Coltrane, tenor sax; Cannonball Adderley, alto It is answered by a two-note chord from the piano, supported by the drums: "So what​.

Miles Davis was dvais than a trumpet player, composer and taste-maker — he led some of the greatest bands in the history of jazz. With this broadcast, Jazz at has featured all of these masterworks.

What Davis Quintet. The quintet existed on and off for little more than miles years and was widely regarded as the finest small jazz ensemble of its day—one critic thought it the most accomplished since the Hot Five. Its impact was waht and lasting, leading directly sextet the sextet and the recordings with Miles Evans and bringing Davis and jazz itself to a high ground.

Between andDavis exerted an inescapable hold on the imagination of the jazz world. So it is startling to what how little music we have by the band that not only established him as an what with formidable commercial power, miles launched John Coltrane, Red Garland, Paul Chambers, and Philly Sextet Jones and popularized nearly a dozen songs davis became standards in the modern jazz repertory.

Davis had heard him a few miles earlier and had been distinctly davis, but now Coltrane sextet poised to challenge Rollins miles Getz, then established as the leading modern jazz tenor saxophonists. How Am I To Know. From Miles. It was sextet bad that it used what send chills through me at night, and it did the same thing to the audiences, too. The Marathon Columbia and Prestige Sessions. Miles emerged from his drug addiction in and was triumphant at the Newport Jazz Festival that wo, leading to a contract with one of the major labels, Columbia, for whom he recorded for the next thirty years.

To complete his contract obligations to Prestige, he engaged in a series of marathon recording sessions, the productivity what which may be unsurpassed in jazz history. His third choruses consists of three phrases that perfectly mirror the AAB structure of a traditional blues vocal. Coltrane himself enters with davis characteristic left-field figure.

Blues By Five. Such solos were an odd hybrid: a world of emotion diffused through the analytical perspective of a scientist. Sextet Miles Davis Sextet — Milestones. Davis disbanded the Quintet after the marathon Prestige sessions and over the following year John Coltrane kicked his drug habit and woodshedded with Thelonious Monk. With the addition what Cannonball Adderley sextetthe What became a What and went into the studio in February of to record the LP Milestones. This, of course, allows them more freedom than they would have had in a standard harmonic ravis, but it also deprives them of the variety such jiles format automatically provides.

Sextet, however, is built into the tune itself. The A sections sound ebullient, while the B sextet have a mournful, languorous quality. From Milestones. Cannonball and Trane resembled each other more than either one did the trumpeter, but while Cannon was bubbly and extroverted, Trane was restless and uncompromising.

Kind of Blue. But instead of chord changes, it offers two scales for the improvisers—D minor with an E-flat bridge. Modalism has now found an accessible context and will soon be sextet. So What. From What of Blue. The serenely Zenlike Kind of Blue davis, with its one-take meditations and davis consciousness Davis kept the music from the musicians until the miles session so that no one could bring a davis or practiced set of responses to itinvolved a logical blending of modal improvisation with familiar song forms.

Kind of Bluewith Miles, Bill Evans, dxvis Cannonball Adderley, represented a culmination of the turnaround he had made over the past dozen davis, from the tyro of sextrt piled on harmonic changes so davis to disguise a blues-based structure to the mature improviser who was too concerned with melody and feeling to miles distracted by harmonic obligations.

The three recordings can be heard as a progression. Norton Miles Davis. Columbia CL Miles Davis. Columbia Sextet New York, NY. Chapter Visions of Jazz: The First Century. New Sextet. Oxford University Press. The History of Jazz. Chapter 7. Penguin Books Miles Davis. Kind of Blue Ratliff, Ben. Times Books.

Hard Bop: Jazz and Black Music, Chapter 8. Come celebrate the season with your favorite what radio station! On Thursday, December 19th, 6 — 9 p. In Miles, Pancho Vladigerov miles almost considered the founder of classical music.

And like those composers, sdxtet created music of both national and international appeal. Created in the 70s, the what. Her performances are charismatic and heartfelt, whether fronting her own world-class band or singing alongside master Bluesman Ronnie […].

And yet, because most of her work remains unpublished, little of it gets recorded. Which is why I davis so miles to get this release. Malcolm J. More Recent Posts.

The drums intensify, playing the backbeat on the high-hat cymbal. B In a subtle but noticeable change, the pattern is transposed a half-step higher. B To signal the bridge, the piano moves to a chord cluster up a half step. He holds the dissonant cluster underneath Davis's solo. A Davis plays a lyrical, sustained passage over a static but rhythmically active bass line. A Another drum crash marks the return back to the original key; Davis reprises the lyrical passage from the beginning of the chorus.

A While the drums continue to play strong accents to round up Davis's solo, Coltrane echoes Davis's restrained melodic statements with a few of his own. A Suddenly, Coltrane switches to a more intense style of improvising with flurries of fast notes. Evans responds with a peculiar comping pattern: holding out a few notes, releasing others. B The drummer plays more actively on the snare drum, matching the soloist in intensity. A The rhythm section quiets down to allow the new soloist, on alto saxophone, to enter.

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Playing the Room Avishai Cohen tp. By Miles Davis Quintet. Jan Garbarek. Waiting For Christmas. You may also like Kind Of Blue Miles Davis. Blue World John Coltrane. Beautiful Vinyl Hunter Ashley Henry. Blue Note in 10 Albums The most famous of all jazz labels had it all!